Singapore Biennale 2013: a show that fizzes with ideas
Mutability and periphery come to the fore in an event focused on Southeast Asia’s artists, writes Peter Hill

Mutability and periphery come to the fore in an event focused on Southeast Asia’s artists, writes Peter Hill
Brussels, 28 Jul 2005 The US, Australia and several Asian countries have surprised European governments by announcing a pact to reduce greenhouse gas emissions. The agreement is non-binding, and will...
Europe is reshaping higher education through its Bologna Process, but it is not the only region to do so. A similar process is taking place on the other side of the world, but in a distinctly East...

Seven men rule the Middle Kingdom, but why them? Jonathan Mirsky on a study of Party potentates

Caroline Osella considers a slice of the subcontinent at the heart of the Gulf

Government speeds visas and extends post-study work opportunities

To many in the West, Central Asia is a bewildering array of indistinguishable nations. But if you take the time to get to know them, argues David Mould, the ‘stans’ are fascinating individuals
British researchers are so eager to forge relationships with China and India that they are neglecting more profitable opportunities in the US, a report warned this week, writes Anna Fazackerley. Sir...

Nepal's carpet industry has been a lucrative source of foreign earnings for one of the world's poorest countries, but its reliance on child labour has been heavily criticised. Children toil for hours...

Laurence Coupe on a grand indictment of the ‘Western epistemological error’

Malcolm Gillies on why the metropolis could (and perhaps should) go it alone

Does London need the rest of the UK? Malcolm Gillies weighs the evidence

How did David Mould end up teaching journalism in Kazakhstan’s frozen capital as a Fulbright fellow? He was a political pawn, he says, just like the (often absent) young people he taught

How did David Mould end up teaching journalism in Kazakhstan’s frozen capital? He was a political pawn, he says

Korean horror may draw Western attention for its brutality, but its focus on sacrifice and expiation is distinctive, says Daniel Martin